A promo video for the Haunted Theater, which once again invades the Brookdale campus for three weekends beginning this Friday.
We’ve said it before, but while it sometimes seems that the shambling zombies and vamping bloodsuckers of a walk-thru haunted house can’t hold a candle to the horrors of the real world, we do take a strange comfort from the annual appearance of those hooded goblins and snooded ghouls.
So it is here on the Greater Red Bank Green, where Brookdale Haunted Theater creaks open its doors this weekend on what’s become one of the more bizarre local rituals of the calendar year.
Among the Visual and Performing Art major students at Red Bank Regional who spent their summer perfecting their skills are (left to right, standing) Penny Hill, Mara Campolattaro, Jack Faccone-Stockwell, Claire Taylor, Megan Moran; also (kneeling) Shea Grant and Gabriella Scerbo.
Press release from Red Bank Regional High School
Summer vacation may already be a distant memory borne away on a suddenly seasonal Navesink breeze — but to the students of the Visual and Performing Arts Academy at Red Bank Regional High School, the activities of the school-year break continue to impact the new academic year in the most positive ways.
“Our students never cease to amaze me with their level of dedication and pursuit of perfection for their craft,” observes VPA lead teacher Kris Zook. “I am always delighted to learn what wonderful programs they attended or experiences they had in pursuit of higher performing art achievement.”
Two River Theater, under the leadership of Artistic Director John Dias and Managing Director Michael Hurst, has announced the major grants and awards the theater has received for its 2016/17 Season. Total funding for the season currently exceeds $500,000 in grants.
In addition, Two River Theater Company has announced the scheduling of a fundraiser Halloween Ball for 7 p.m. on Saturday, October 22. Costumed attire is “highly recommended” for the event in which all proceeds benefit TRTC’s programs and operations, with “ghoulish delights by et al.” and live music by New Life Crisis also on the agenda. Tickets ($200) can be reserved through the theater’s box office, and more information (including details on sponsorship and underwriting opportunities) is available from Camille Susarchick at (732)345-1400 x1805 or email@example.com.
Read on for full details on the generous supporters and major funders of this year’s TRTC schedule.
Kate Pentek is the child vaudevillian who grows up to become burlesque star Gypsy Rose Lee as the classic backstage musical ‘Gypsy’ comes to the Count Basie stage for two weekends. (Photo courtesy Phoenix Productions)
The waning weekends of summer are traditionally a prime time to dust off your first-night finery and head back to the “theatah.” And even as Red Bank’s resident professional stage company, the Two River Theater, opens its new season with “Ma Rainey’s Black Bottom,” the Greater Green’s three community troupes (that’s Phoenix Productions, Stone Church Players, and Monmouth Players) also are ready to raise the curtains on a variety of entertainments.
Arnetia Walker is interviewed by WBGO radio’s Doug Doyle in a recent event at Two River Theater. The stage and screen actress steps/sings into the title role of MA RAINEY’S BLACK BOTTOM, the season-opening show that goes up in previews this weekend. (Photos by Carmen Balentine)
It’s a more-or-less annual highlight of the new season at Two River Theater: a further exploration into the work of the late August Wilson, the celebrated African American playwright whose “Century Cycle” of dramas — ten somewhat interconnected plays, each one set in a different decade and illuminating another aspect of the black experience in America — has apparently become an unstated but ongoing project at the Bridge Avenue performing arts space.
Just as they did with last September’s production of “Seven Guitars,” the folks at Two River are kicking off the new 2016-2017 slate of shows with a bluesy keynote from the house of Wilson: the playwright’s 1984 Broadway breakthrough “Ma Rainey’s Black Bottom.” Going up in previews beginning this Saturday night, September 10, and set inside a recording studio in 1927 Chicago, the music-infused ensemble drama is a bit unusual, in that it’s only one of the Cycle that’s not based in Wilson’s hometown of Pittsburgh. And, as the title suggests, it’s the only one of the ten that boasts a central character drawn from real life.
Returning star Brandon J. Dirden (above) is among the cast members expected to attend — while J.W. Lawson and Dean Shot (below) bring the live blues tunes — as Two River Theater keynotes the season opening-production of ‘Ma Rainey’s Black Bottom’ with a Friday evening “block party.”
While we’re still a few Saturdays away from the start of the new 2016-2017 schedule at Two River Theater, the Red Bank performing arts space is keeping it outside for the moment — with a special event that harnesses the magic-hour mojo of the late-summertime season and sounds an early keynote for a blues-infused season opener.
That inaugural production is “Ma Rainey’s Black Bottom,” the August Wilson ensemble piece that opens September 16 as the latest in Two River’s ongoing exploration of the late African American playwright’s “century cycle” of dramas. The special event is a Taste of the Blues Block Party that rocks the theater’s open-air patio with a Friday evening fricassee of live music, dancing, locally sourced cuisine, and “a chance to meet and mingle with the cast.”
Left to right: Ava DiLouie (Timon the meerkat), Matthew Maxcy (Simba), and Maggi Hough (Pumbaa the warthog) co-starred in an August 10 production of THE LION KING JR., presented for one night only by the students of the Visual and Performing Arts Summer Academy at Red Bank Regional High School. Over 40 student actors, musicians, crew members and designers collaborated on the staging of the musical, a special young-audiences version of the Broadway hit adapted from the beloved Disney animated film. RBR faculty member Kris Zook directed the production, which spotlighted the songs of Elton John and Tim Rice, and also starred Annabelle Adams, Lev Brewer, Jamie Lynn Eckhoff, Julie Homza, and Sophie Wright. The evening at RBR also featured an exhibit of visual art works created by VPA program students under the supervision of RBR art teacher Barbara Beckett.
Originally called the Carlton Theater, the Count Basie Theatre will get to keep the Count’s name for at least another century. Below, a bust of the late jazz great outside the Red Bank train station. (Photos by John T. Ward. Click to enlarge)
[Correction: the original version of this post misreported the year of Count Basie’s birth, which was 1904.]
By JOHN T. WARD
The Basie will get to be the Basie for at least another hundred years.
In conjunction with the anniversary of the birth, in Red Bank, of jazz great William ‘Count’ Basie, the town’s premiere entertainment venue has inked a deal with the trust that controls his estate to enable it to call itself the Count Basie Theatre for 50 more years, with five 10-year extensions, the two entities announced Monday.
The Monmouth Players serve up an appetizer for their upcoming season at the Navesink Arts Center with a program of one-acts by the celebrated playwright and novelist Thornton Wilder, below.
It seems, at first glance, a summer-surprise coda to the recently wrapped 2015-2016 season of the area’s longest-established community theater company, Monmouth Players.
But when producers Paul and Lori Renick turn the key once more on their homestage space at the Navesink Arts Center in Middletown Saturday, they’ll actually be sounding a keynote to their upcoming 2016-2017 slate of shows.
Students of Red Bank Regional’s Visual and Performing Arts Summer Academy audition for the dancing ensemble, as part of the August 10 presentation of THE LION KING JR.
Press release from Red Bank Regional High School
On Wednesday, August 10, the Visual and Performing Arts Summer Academy students of Red Bank Regional High School will present their staging of “The Lion King Jr.” Over 50 students will take part in the 7 p.m. performance, a 60-minute abbreviated version of Disney’s Broadway hit “The Lion King.”
Based on the popular animated film, the show features such Elton John-Tim Rice songs as “Circle of Life,” Hakuna Matata” and “Can You Feel the Love Tonight,” with the young actors of the VPA program portraying such beloved characters as Simba, Nala and Mufasa.
The outdoor plaza at Two River Theater comes alive on Wednesday evening with a colorful keynote to the Crossing Borders Festival, the annual free celebration of Latino theater curated by Stephanie Ybarra (below).
It’s become an eagerly anticipated annual feature of the programming from Two River Theater; a celebration of cultural diversity and connections that occurs on the border between the professional company’s mainstage seasons — and on a street named Bridge Avenue, no less.
Even as issues of national identity and immigration have been forced to the front once more during a superheated election-year summer, the frontiers represented by the Crossing Borders Festival go beyond mere lines on maps. Returning for a sixth annual edition this week, the five-day celebration of emerging Latino theater examines the barriers, access points and grey areas between heritage and assimilation; reality and fantasy; the pull of memory and the need to move on.
Kicking off with the now-traditional outdoor Neighborhood Party on Wednesday, August 3 — and continuing through Sunday, August 7 with a menu of play readings (one of them presented in both English and Spanish), lectures and audience forums — the festival maintains its mission of “bringing together writers and stories from all over the country to explore questions of individual and national identity, and what it means to be a part of the Latino diaspora,” in the words of guest curator Stephanie Ybarra.
Jonathan Jacob (top right, above) heads the young cast, and Victoria Keiser (below) is the seductive “acid queen” Gypsy, in Phoenix Productions staging of “Tommy” this weekend.
If it’s July at the Count Basie Theatre, then it must be time for the now-traditional summer musical from Phoenix Productions, the borough-based theatrical company that continues its long and productive residency at the venerable Red Bank venue.
With scores of aspiring actors of high school and college age currently between semesters, the troupe’s midsummer offerings have represented a showcase for young performers, with especially energetic and ever so slightly edgier selections (“Rent,” “Hairspray”) than the family-friendly fare (“Mary Poppins,” “Little Mermaid,”) that’s proven so successful for the Phoenix brand.
When the Count’s curtain goes up this Friday night, it will usher in a two-weekend stand for a Broadway sensation with a psychedelic countercultural pedigree: “The Who’s Tommy.” Read More »
Gilda Rogers is the guest for the latest in a series of Author Talk events, Wednesday at the Red Bank Library — followed on July 18 by a special presentation at Project Write Now on Bridge Avenue.
Red Bank regulars know her from many different settings, and wearing many figurative hats — from faculty member at Red Bank Regional and coordinator of special community outreach initiatives for Two River Theater, to local talk show host, and onetime proprietor of Frank Talk Art Bistro, a much-missed Shrewsbury Avenue storefront that was as delightfully difficult to summarize as the woman who put her stamp on it.
Writer, activist and producer Gilda Rogers remains very visible around Red Bank in the coming days, beginning with an appearance at the Red Bank Public Library on Wednesday, July 13. Scheduled for 7 p.m., it’s the latest event in the library’s monthly Author Talk series; a session that finds the author of “Arrested Development: The State of Black Achievement and Education in Hip Hop America” discussing her debut as a dramatist, with a work entitled “Supernatural: The Play.”
Kate Bader (center) performs a scene from “Titus Andronicus” during last year’s Shakespeare on the Lawn presentation on the campus of Brookdale Community College. The summer series returns on Thursday evening with “Measure for Measure.” (Photo by Brookdale Community College)
Ask any Shakespearean scholar you happen to see: the historic incubator and natural habitat of the Bard’s classic tragedies, comedies and histories has little to do with stuffy theater boxes, scratchy formalwear, and snoozing patrons of the arts. Rather, it’s an experience that’s best realized in the open air — with un-amplified voices, improvised solos by Mother Nature’s minions, and an audience of engaged, enthusiastic (and ever so spirited) folks from all walks of life.
It’s a tradition maintained locally each year on one of the greatest, greenest spaces of the Greater Red Bank Green — and, beginning this Thursday evening, Shakespeare on the Lawn returns to the Lincroft campus of Brookdale Community College for a 15th annual edition, with a new look at William Shakespeare’s tragicomic “problem play” known as “Measure for Measure.”
Barbara Andres (‘Mama’) sits at the head of the table, surrounded left to right by Heather MacRae, Dale Soules, Rita Gardner, Louise Sorel (back to camera) and Mia Katigbak in “I Remember Mama,” entering its final week at Two River Theater. (Photo by T. Charles Erickson)
A cast of 10 veteran actresses — each over the age of 60 — playing the parts of some two dozen women, men and children. One big extended family that encompasses mama, papa, big/ little kids, a caring curmudgeon of an uncle, a trio of contrary aunts, a local undertaker, a dying cat, plus a broke boarder with a storyteller’s gift. And in place of the play’s all-important kitchen table, this version’s got 10.
Putting up eight more matinee and evening performances between June 22 and 26, the John Van Druten ensemble drama “I Remember Mama” closes out the 2015-2016 season at Two River Theater with a staging that lends a bit of cutting-edge cool to the warmly sentimental story of a Norwegian-American community, a dreamer of a daughter, and the Mama who could reputedly fix anything (and maybe even work the odd miracle).
A planned expansion of Red Bank’s Count Basie Theatre, seen here in an architect’s rendering, won approval from the borough zoning board last Thursday night, according to a report by the Asbury Park Press.
The first time Alec Baldwin took to the stage of Red Bank’s Two River Theater, it was for a 2009 fundraiser, during which the leading man of silver screen (“The Hunt for Red October”) and Broadway stage (“A Streetcar Named Desire”) participated in a Q&A for the benefit of the local Junior League.
By the time Baldwin returned to the Bridge Avenue space two years later, he had netted two Emmys, a couple of Golden Globes and a SAG Award for his work on the sitcom “30 Rock.” That appearance found the actor taking part in an entertaining panel discussion with the Tony-nominated frequent Two River artist Michael Cumpsty — a chat moderated by TRTC artistic director John Dias, who made no secret of his desire to secure Baldwin’s services for a future mainstage production in Red Bank.
When Baldwin makes his scheduled appearance at Two River this coming Monday, he’ll have added to his list of conquered media (movies, TV, live drama, commercials, voice mails) a new one: podcasting. And, he’ll be bringing along a fellow multi-platform performer with a formidable set of skills.
Maurice Sendak’s Max embarks upon an epic adventure…and the audience is along for the ride…as Vancouver’s Presentation House company brings its interactive adaptation of WHERE THE WILD THINGS ARE to Two River Theater for six performances this weekend.
First published back in 1963, “Where the Wild Things Are” quickly took its place as a boomer-generation touchstone; the picture-book tale (of rebellious young Max, and his supperless-bedtime voyage to an island of king-sized fantastical creatures) winning its author-illustrator Maurice Sendak a coveted Caldecott Medal, before going on to be adapted into an animated short, a live-action feature, and even an opera.
Somewhere along the way, Scotland-based TAG Theatre was inspired to turn this classic story of imagination, family ties — and an angry little boy’s exploration of his wild side — into an interactive “guided play experience” that successfully crossed the pond to become a staple touring production of Vancouver’s Presentation House Theatre. Beginning with two days of school-show matinees today and Friday, and continuing for six public performances on June 11 and 12, Two River Theater hosts the Canadian company’s touring troupe in an engagement pitched at kids ages 3 to 7, and their (big and hairy and snaggletoothed?) adult companions.
Barbara Andres (right) returns in the role she performed in the acclaimed Off Broadway production of I REMEMBER MAMA, when the play goes up this Saturday as the season’s closer at Two River Theater. (Photo by Transport Group).
It’s about family, of course — specifically the Hanson family, Norwegian immigrants struggling to carve out a new life for themselves in San Francisco at the turn of the 20th century. To the extended Hanson brood — Mama, Papa, their four kids, plus three aunts, an uncle and a boarder named Mr. Hyde — the rock-ribbed principles of hard work, education, sacrifice, love, loyalty and thrift sometimes chafe up against a yearning for something else in this new-world setting. But in John Van Druten’s play I Remember Mama, it’s the title character who ultimately keeps the universe in balance for this collection of dreamers, schemers, no-nonsense traditionalists and sensitive souls.
Adapted from the semi-autobiographical novel Mama’s Bank Account by Kathryn Forbes — and subsequently transformed into a hit film, a TV series, and Richard Rodgers’ last musical — the 1944 ensemble piece goes up in previews this Friday, June 3 as the final mainstage offering of the 2015-2016 season at Two River Theater. As re-imagined by NYC’s Transport Group and director Jack Cummings III, the comedy-drama is given a compelling twist, with all of the play’s 20-plus roles — men, women, children and teens — performed by a company of actresses aged 60 and over.
A multi-school ensemble, led by Outstanding Lead Actress in a Drama winner Laura Diorio, opened the Basie ceremony.(Photo by Andrew Musser – Count Basie Theatre)
Students and faculty from five Red Bank area schools dominated the balloting in the 11th annual Basie Awards, presented Wednesday night to honor excellence in Monmouth County high school theatrical productions.
Musicals and dramatic presentations from Red Bank Catholic, Red Bank Regional, Rumson-Fair Haven Regional, Mater Dei Prep and Middletown High School South combined to take or tie for top honors in 17 of 27 categories.