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RED BANK: THE BRIGHT SIDE OF ARTHUR

Arthur_&_his_Laker_GirlsKing Arthur (Michael Chartier) is attended to by the Laker Girls in MONTY PYTHON’S SPAMALOT, the very silly musical opening at the Count Basie Theatre this weekend, as the season-capping entertainment from Phoenix Productions.

Ah, Camelot — the wise and good King Arthur; the glory that was the Round Table. The Lady of the Lake and her Laker Girls; the “schlapping” fish, the nasty rabbits, the holy hand grenades and the Knights Who Say “Ni.”

Wait, what? Actually if it’s the classic Lerner-Loewe musical Camelot you’re looking for, take it to Two River Theater for the all-new production that goes up in previews November 15. But if, on the other hand, you’re in the market for as irreverent a Broadway tunefest as has ever made off with the holy-grail Tony, head down Monmouth Street to the Count Basie, where Monty Python’s Spamalot holds court for the next two weekends.

The season finale offering from the Basie’s resident nonprofessional stage troupe Phoenix Productions — one that represents the borough-based company’s first visit to the hit show “ripped off” by Python’s Eric Idle from the 1975 film Monty Python and the Holy Grail — the 2005 crowdpleaser has become a fast favorite of school and community players across the land. Opening on Friday night, November 14, and continuing through Sunday, November 23, the production boasts a rather unique connection to local Arthurian lore and legend.

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WEEKEND: THE SECRET WOID IS VARIETY

rb street fair 041413A first responder benefitting spring edition of Street Fair returns to Red Bank Sunday while, below, the one and only GROUCHO goes wild, in the person of Frank Ferrante, Friday night at the Basie. 

grouchoRED BANK: “We all want to be Groucho,” Frank Ferrante told us a few seasons back, “to be that wild, irreverent pulverizer of those in power.”

In the acclaimed stage show An Evening with Groucho, the actor-director gets to be all that and more, as his spot-on channeling of the classic comic force of nature Groucho Marx comes to the Count Basie Theatre for the first time. Performed with piano accompaniment, minimal set and trademark makeup, the 90-minute, all-ages friendly tour de farce mixes canonical Marxist quotes, anecdotes from a life in show business, signature silly songs (“Hooray for Captain Spalding,” “Lydia, the Tattooed Lady”), and — in a bracingly contemporary touch — an interactive element that finds Ferrante/Groucho duckwalking the theater aisles. “Fully one-third of it is improvised,” says Ferrante. “That’s what Groucho’s magic was, really – the ability to create comedy on the spot.” Get your tickets ($19 – $49) right here — and when you take it ’round the corner for more Weekender wonderment, tell ’em Groucho sent you.

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