King Arthur (Michael Chartier) is attended to by the Laker Girls in MONTY PYTHON’S SPAMALOT, the very silly musical opening at the Count Basie Theatre this weekend, as the season-capping entertainment from Phoenix Productions.
Ah, Camelot — the wise and good King Arthur; the glory that was the Round Table. The Lady of the Lake and her Laker Girls; the “schlapping” fish, the nasty rabbits, the holy hand grenades and the Knights Who Say “Ni.”
Wait, what? Actually if it’s the classic Lerner-Loewe musical Camelot you’re looking for, take it to Two River Theater for the all-new production that goes up in previews November 15. But if, on the other hand, you’re in the market for as irreverent a Broadway tunefest as has ever made off with the holy-grail Tony, head down Monmouth Street to the Count Basie, where Monty Python’s Spamalot holds court for the next two weekends.
The season finale offering from the Basie’s resident nonprofessional stage troupe Phoenix Productions — one that represents the borough-based company’s first visit to the hit show “ripped off” by Python’s Eric Idle from the 1975 film Monty Python and the Holy Grail — the 2005 crowdpleaser has become a fast favorite of school and community players across the land. Opening on Friday night, November 14, and continuing through Sunday, November 23, the production boasts a rather unique connection to local Arthurian lore and legend.