It’s the kind of tradition that’s become something of a Celtic-cottage industry in itself: an event heralded by a full slate of fundraisers, competitions (essays, posters, soda bread), corned beef ‘n cabbage dinners, Irish seisuns, and even a “green tree lighting” ceremony that would give pause to Mr. Claus. All very appropriate to a ritual that’s been part of the fabric of local life for all of… four years.
Wait, what? While it’s true that the Rumson St. Patricks Day Parade is still in short pants, the annual occurrence has quickly assumed a pivotal place of prominence in community life. And when it returns for a fifth edition this Sunday, it will have cemented its staying power in the hearts of the Greater Red Bank Green, even as those minty Shamrock Shakes come and go.
The Knights of Columbus Council 3187 has announced that they will be holding their third annual Special Needs Social on Thursday, February 20th, hosted by special needs ambassadors from the Center for Vocational Rehabilitation (CVR), and presented from 6 to 8pm at the Knights Hall in Fair Haven.
During the event, which is funded by the Jay Dooley Memorial Foundation (JDMF) and held as part of an ongoing collaborative initiative to increase the socialization opportunities for people with special needs in central New Jersey, In addition to live music, dancing and light refreshments, KellyKares will be providing sensory-friendly activities and games.
Above: Britt Savage and the Nines recall those 1980s nights of 75-cent ‘kazis and roses for the ladies, when they reunite for a throwback Friday at the Downtown… while below, Ziggy Shock turns Fair Haven’s K of C hall into the best kept secret on the Shore music scene.
Friday, January 24:
RED BANK: With recent overnight temps threatening to put the Greenland into the greater Green, being “dressed to the nines” has tended to mean wearing nine extra layers of unfashionably lifesaving thermals.
But for just one cold dark night, clubgoers of all ages can wayback to those 1980s summers when the drinking age was 18, closing time was 3 a.m. — and the mega-barbands ruled a clubscape dotted with fortress-like institutions like the Tradewinds, Fountain Casino and Club Xanadu. Tonight, the Downtown welcomes what might just be the first-ever Red Bank appearance by one of the era’s most fervently followed cover combos — the Nines, featuring vivacious vocalist Britt Savage. Now based in Nashville, the in-demand session singer (and 1992 grand prize winner on TV’s Star Search) reunited with her classic band lineup — guitarist Adam Roller, bassist John Rogers, drummer Mick Gormaley, and Bill Dellicato subbing for the late keyboardist Bobby Gordon — for a July 2013 show in Asbury Park that brought in so much love, they up and did it again during the recent Light of Day music festival. Britt and the boys will be taking it upstairs at the double-wide Downtown for several sets of VICE-vintage favorites that could reasonably include everything from “She Blinded Me with Science” and “Kids in America” to some radio-ready originals from Britt’s recent Music City projects. And you can take it right here for a full interview with this most noble of Savages, or take it just around the corner for more frosty fun at the jiggle end of January.
The Ribeye Brothers (above) bring their scrappy brand of “detached garage rock” back upside the Dub for a Sunday night see-off to the Year That Was. The annual performance of BLACK NATIVITY, below, finds room at the inn on the Count Basie stage for a Saturday matinee here in 2013.
Friday, December 27:
As it happens, that best-kept-secret venue is not some Flavor of the Month nightspot, but none other than the Knights of Columbus Red Bank Council 3187 in Fair Haven. The hall, at 200 Fair Haven Road, has been the scene for some successful benefit concerts in the past, although it’s also true that the KofC books bands on a consistent basis throughout the year. Tonight, between the hours of 8 and 11:30 pm, Council 3187 hosts singer-guitarist Robert Ender and his combo — familiar from well-received gigs at the Red Bank Guinness Oysterfest, the Dublin House, D’Jeet and other Shore area shindigs. Then on January 24, Sigi and his bandmates in Ziggy Shock keep the partyball rolling into Twenty-Fourteen.
RED BANK: It’s the FINAL weekend at Two River Theater for the remade/ remodeled family musical adaptation A Wind in the Willows Christmas — a production about which one wise hyperlocal stated, “it’s a show that’s succeeded in finding its heart.” Performances continue Friday (12 and 7 pm) and Saturday (12 and 4 pm), with a closing matinee at noon on Sunday. Take it here for tickets (adults $20 – $55; ages 18 and under $25) — and here for our review of the show, on redbankgreen.
Multi-instrumentalist maestro Marc Muller (above right) leads his Dead On Live ensemble back to the Basie Friday night. Keyboard wiz Matt Wade (below) plays a concert for the Boys and Girls Club Saturday in Fair Haven. (Muller photo by Brian Stratton)
Friday, November 1:
RED BANK: While the greater Red Bank green doesn’t lack for savvy channelers of the Grateful Dead (see our own Jim Willis and his Dead Bank brethren, appearing Saturday at the Walt St. Pub), there exists an even deeper dimension of obsession, and it’s the bailiwick of Marc Muller — master multi-instrumentalist, sought-after session ace, adjunct professor at Monmouth University, and scoutmaster of the Count Basie Theatre‘s Rock the Basie band-camp program.
A flexibly floating lineup composed of Muller and a rotating roster of talented friends, the entity known as Dead On Live is “deadicated” to the comprehensive transcription (and note-for-note reproduction) of the Grateful Dead’s body of officially released recordings. And on Friday, Muller returns to the Basie boards for a Halloween Double Drumming Dance Party that combines psychedelic 60s’ classics (“St. Stephen,” “The Other One,” “Alligator”) with the epic trilogy from Blues for Allah and dual-drummer hits and set standards (“Shakedown Street,” “Touch of Gray,” “The Music Never Stopped”). Take it here for tickets ($19.50 – $45) — and here for our archived feature on Muller and his Dead On Live project.