Lorraine Stone is in the cast, and Darrell Lawrence Willis Sr. directs, as BLACK NATIVITY comes to the Count Basie stage for the first time on December 30.
By TOM CHESEK
If you’ve been in (or anywhere near) the Count Basie Theatre recently, you probably noticed that the venerable venue is a house of traditions throughout the holiday season a host harbor for Christmas concerts, New Year’s blasts, allstar benefits, Nutcrackers and Scrooges all of them staples of local life.
Beginning Thursday, December 30, the Count’s crib opens its curtain for the first time on a homegrown edition of a stage tradition that’s become the centerpiece of community Christmas celebrations, from Boston to Seattle and lots of big-league towns between.
First produced on Broadway in 1961, Black Nativity combines the Gospel of St. Luke with the poetry of the late Langston Hughes and a set of folk spirituals and hymns for a theatrical experience that’s often custom-tailored to every town it appears in. It’s the kind of presentation in which the stage swells with local children; in which hometown preachers play a big part and the Three Wise Men are often cast from the ranks of neighborhood civic and business leaders.
For several seasons, the play staked a Shore area home at Manasquan’s Algonquin Arts Theatre, in a production by producer-director Darrell Lawrence Willis Sr. and his Dunbar Repertory Company. A Brookdale Community College faculty member and a participant on the Basie’s board, Willis has kept busy in recent years with such projects as the annual Juneteenth Urban Arts Festival in Long Branch and winter’s upcoming staging of A Raisin in the Sun at BCC.
The redbankgreen Drama Desk caught up with the director as he found “room at the inn” for a re-established Yuletide tradition, here in Red Bank.