RED BANK: TRTC REGRETS CASTING CHOICES

The reading’s cast includes, in top row: Blair Brown, Michael Cumpsty, Oakes Fegley, Bill Irwin, Kevin Isola and Karl Kenzler; bottom, Bebe Neuwirth, Duane Noch, Gregory Noll, Steven Skybell, Phillipa Soo and Sam Waterston. (Two River Theater photo. Click to enlarge.)

[UPDATE: On July 31, the Two River Theater announced a cancellation of this event, with automatic refunds to be made to ticketholders. In addition, the theater said it is “planning a public forum to continue this complex conversation about representation in the theater.”]

Red Bank’s Two River Theater Company issued an apology Tuesday for “not having cast more artists of color” in a star-studded play reading scheduled for next week.

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RED BANK: FUNNY THINGS KEEP HAPPENING

A Funny Thing...Forum TRTC 11-15 175 A Funny Thing Happened On The Way To The Forum book by Burt Shevelove and Larry Gelbart music & lyrics by Stephen Sondheim choreography by Denis Jones directed by Jessica Stone Two River Theatre Company 11/13/15 Scenic Design | Alexander Dodge Costume Design | Clint Ramos Lighting Design | Jeff Croiter and Jake DeGroot Hair and Makeup: David Bova Sound Design | Drew Levy © T Charles Erickson Photography tcepix@comcast.netDavid Josefsburg, Michael Urie, Christopher Fitzgerald and Kevin Isola keep the toga party going for one more weekend, as “A Funny Thing Happened on the Way to the Forum’ wraps its run at Two River Theater. (Photo by T. Charles Erickson)

By TOM CHESEK

Red Bank’s Two River Theater offers one more long weekend of happy-humbug harbor to all of us who may feel caught between a Dickens and a Nutcracker this time of year.

Directed by Jessica Stone — and boasting an all-male cast of Tony nominees, TV personalities, Two River returnees and toga-clad Broadway babies — the TRT’s naughty and bawdy production of A Funny Thing Happened on the Way to the Forum reclaims the Stephen Sondheim musical comedy (based on the farcical works of ancient Roman playwright Plautus) from the community church basements and school auditoriums it’s long been consigned to. And it uses the novelty of its “stag” staging to mine maximum gold from its broad burlesque belly-laughs.

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