By TOM CHESEK
The scene is the storefront dispatch office of an unlicensed gypsy cab service in Pittsburghs Hill District a neighborhood unserved by the citys major taxi companies, and an unlikely setting for one of the truly game-changing works of the modern theater.
When he wrote Jitney in the late 1970s, August Wilson was a largely self-educated impresario who came from far outside the theatrical and academic establishments to found his own shoestring stage troupe in the Hill District. What he didnt yet realize was that this short-on-plot, long-on-vivid-characters ensemble drama would develop into the cornerstone of a project that would see its author hailed by many as the greatest American playwright of the last 50 years.
Before his 2005 death from liver cancer, Wilson managed to complete the ambitious work that would serve as his legacy: the Pittsburgh Cycle, a set of ten plays each one set in a different decade that encapsulate the African-American experience in the 20th century in ways that are tragic, comic, mystical, musical, realistic, hardbitten, hopeful and, in the case of Jitney, maybe all of the above.
Beginning with a just-added matinee preview on Sunday, January 29, Two River Theater Company makes its first foray into Wilsons world as Jitney takes the stage for a three-week run. Heading a heavyweight ensemble of nine professional players is Tony winner (for The Life) Chuck Cooper as Becker, boss of the dispatch depot and a man whose relationship with his recently paroled son Booster (J. Bernard Calloway of Broadways Memphis) boils over into violence. Anthony Chisholm, who won an Obie as Fielding in the plays original Off Broadway production, reprises the role of the alcoholic ex-tailor here and the frankly awesome cast is rounded out by Harvy Blanks, Brandon J. Dirden, Roslyn Ruff, Ray Anthony Thomas, James A. Williams and Allie Woods Jr.
Most exciting of all is the identity of the director attached to this project Ruben Santiago-Hudson, a longtime friend and professional associate of August Wilson who won a Tony for his acting in Wilsons Seven Guitars (and who went on to co-star in Gem of the Ocean as well as direct numerous Wilson revivals). The busy stage and screen pro, who turned playwright for his autobiographical Lackawanna Blues (and whos also familiar from three seasons of Castle, a TV series in which his character was rather disconcertingly bumped off), has been busily overseeing rehearsals in Red Bank even as he continues his current Broadway stint in the Alicia Keys-produced Stick Fly.
The Drama Desk at redbankgreen managed to get in a few minutes with Santiago-Hudson as he jitneyd his way between two high profile projects.