For years, it’s been the resident community theater group at a local landmark church nestled in a corner of Middletown. But if that description suggests a slate of shows no more challenging than the umpteenth revival of Arsenic and Old Lace, then let it be known that the Stone Church Players aren’t about to be intimidated by the likes of William Shakespeare.
By TOM CHESEK
As a regular for the last seven seasons of The Cosby Show, Geoffrey Owens was part of a pop-cultural juggernaut that TV Guide named as The Greatest Sitcom of the 1980s; a Reagan-era repository of positive role models and fatherly sweaters that consistently topped the Nielsens — before ultimately being toppled by The Simpsons and other heirs to the throne of tubeland’s most dysfunctional modern family.
While his recurring role as Cliff Huxtable’s occasionally opinionated but nice-guy son-in-law Elvin allowed him to have the odd moment of good-natured fun with Bill Cosby’s proven shtick, it wasn’t until returning to the stage that the son of former U.S. Congressman Major Owens discovered a surprising specialty — as a sought-after interpreter of the comedic and tragic characters from the quill of Wm. Shakespeare.
Seen recently on Broadway in Romeo and Juliet (with Orlando Bloom), Owens has starred and co-starred in major productions of Julius Caesar, A Midsummer Night’s Dream, Macbeth, and many others — including a Joseph Papp-produced As You Like It that brought him to the Broadway boards as Orlando, the exiled young noble and dashing leading man of the Bard’s “comedy of cross-dressing heroines and triumphant heroes.” Beginning this weekend, the actor returns to As You Like It‘s “Forest of Arden” setting for the first in a series of preview performances this Saturday night, January 25.