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There’s a chance to imagine yourself as part of the biggest franchise in film fantasy history. Some power pop on the dock. A heat-blast of Latin-flavored jazz in the park. A little beach-music soul on the sands. And one of the world’s most beloved plays on yonder grassy knoll.
It’s all going on beneath the setting sun and stars of the Greater Red Bank Green — and all fabulously free of charge in the evenings to come.
The academic session may have concluded back in June, but the Henderson Theatre on the Lincroft campus of Christian Brothers Academy is a very busy place this summer, one that sees the return of some old friends, and an all-new partnership in education and entertainment.
Beginning this Friday, it’s “Let’s Daaaaance!,” as the screen-to-stage musical Footloose stomps the boards of the CBA auditorium — a party made possible by the team-up of CBA’s Pegasus Theater summer stage program, and a name familiar to many a local theatergoer.
It’s been a staple of the Phoenix Productions playbook for nearly 25 years, one of those crowd-pleasing Broadway perennials to which the Red Bank-based semipro stage company has made regular revisits.
Still, it’s been some 10 seasons since West Side Story has received a fully-fleshed Phoenix staging. And when the curtain goes up this Friday night at the Count Basie Theatre, it will reveal an old favorite that’s infused with new energy, courtesy of a youthful cast of newcomers highlighted by two residents of the Greater Red Bank green.
Grab your folding chair, pack a picnic basket, and get thee to the Great Lawn at Brookdale Community College, where the Shakespeare on the Lawn presentation of A MIDSUMMER NIGHT’S DREAM gets well-met by moonlight beginning this Thursday.
If ever was such a thing as “entry level Shakespeare,” then A Midsummer Night’s Dream is that single most easily inaccessible work with a little something for everyone: a hyper-kinetic love story; some slyly supernatural shenanigans courtesy of mischievous magical beings; a charming little play-within-a-play, and some of the author’s wildest opportunities for honest-to-goodness belly laughs, courtesy of the outsize ambitions and actorly egos of the play’s “rude mechanicals.”
It’s also the Shakespeare work that’s most at home in the open air — a thing best done the way the Bard intended, with un-amplified voices, improvised solos by Mother Nature’s minions, and an audience of engaged, enthusiastic (and ever so spirited) folks from all walks of life. And, beginning this Thursday evening, July 13, A Midsummer Night’s Dream becomes the perfect vehicle for the Shakespeare on the Lawn series to get back to its roots, with a new outdoor production on the Lincroft campus of Brookdale Community College.
A colorful new mural bloomed to life on the Catherine Street wall of Kitch Organic restaurant in Red Bank over the weekend.
Executed by local children — and some adults who pulled a couple of all-nighters — the mural promotes two cultural events: the Indie Street Film Festival, which returns to town for a four-day run starting July 26; and the Crossing Borders Festival, featuring five days of free-admission Latino-flavored plays and food at the Two River Theater beginning August 2.
Artist Misha Tyutyunik, also known as MDot, created the design, reprising his role from the 2016 Indie Street mural on Monmouth Street. Click read more for additional pix. (Photos by John T. Ward. Click to enlarge)
Is it “gravy” or “sauce?” Why do Neapolitans cut off the vowels at the end of words? And just what the heck is “bru-shetta?”
These and other long-simmering issues are placed on the front burner with They Call It Gravy, We Call It Sauce!, a traveling “musical dramedy” that camps out at Middletown Arts Center for a weekend-long engagement that begins Friday night.
Teal Wicks (right) stars as the title character — with bride and groom Jane Bruce and Eric William Morris as frontier friends — as “The Ballad of Little Jo” enters its final week of performances at Two River Theater. (photo by T. Charles Erickson)
It’s always a pleasure to see the physical space and human resources of Two River Theater Company employed to their full potential, and with the current mainstage musical The Ballad of Little Jo, TRTC artistic director John Dias and company have crowned their 2016-2017 season with a polished production that packs something of a homegrown pedigree; that doesn’t skimp on the quality or quantity of assembled talent — and that speaks to the American soul in all of its conflicted, enterprising, ambitious, messy and often melancholy glory.
Co-written by, developed and directed here by Dias — and adapted from a 1993 film of the same name — the show that made its formal debut some 17 years ago at Chicago’s Steppenwolf Theatre has traced a journey to the Red Bank stage almost as long as that of the real-life 19th century woman whose story (very loosely) inspired it. It’s a journey that enters its final stretch for the time being, as the production wraps its limited engagement with eight more performances, today through Sunday, June 25.
For years, it’s been the resident community theater group at a local landmark church nestled in a corner of Middletown. But if that description suggests a slate of shows no more challenging than the umpteenth revival of Arsenic and Old Lace, then let it be known that the Stone Church Players aren’t about to be intimidated by the likes of William Shakespeare.
Even as they wrap up their mainstage season in style with the delightfully nontraditional musical The Ballad of Little Jo, the folks at Red Bank’s Two River Theater maintain a recently established seasonal tradition when they welcome some of the world’s most acclaimed purveyors of family-friendly theater experiences for a guest engagement that begins this Thursday.
Teal Wicks (second from left) is the title character — and Daniel K. Isaac, Jane Bruce and Eric William Morris lend solid support — as the screen-to-stage musical adaptation “The Ballad of Little Jo” begins previews at Two River Theater. (Photo by Amanda Crommett)
In the 1993 film The Ballad of Little Jo, director Maggie Greenwald told the story of Josephine Monaghan, a young 19th-century woman from a proper Boston family who adapts to a life of self-exile in an Idaho frontier town by living her life as a man.
While the movie left the actual ballads at the door, a handful of creative people heard the music in its fact-based tale. And beginning with its first preview performance this Saturday, Little Jo adapts to life in the 21st century in its new incarnation, as a musical stage production from Red Bank’s own Two River Theater Company.
Phoenix Productions exec director Tom Martini — pictured fifth from left, during the 2015 ribbon-cutting of the troupe’s new Chestnut Street headquarters — was honored with the 2017 Lifetime Achievement Award during the 12th annual Basie Awards on Wednesday night. (photo by Rich Kowalski)
Students and faculty from five high schools in the greater Red Bank area were honored for excellence in high school theater productions — and the co-founder of a favorite borough-based performing arts company received a Lifetime Achievement recognition — when the 12th annual Basie Awards ceremony took place at the Count Basie Theatre on the evening of May 24.
The big winner among local schools was Red Bank Catholic High School, whose nine nominations for the spring production of the Rodgers and Hammerstein musical Cinderella resulted in three Basie wins: for Shawn Mack (Outstanding Musical Direction), Samantha Siriani (Outstanding Supporting Actress), and Kelly Gemellaro (Outstanding Choreography, shared with Jacqui Fisher for the Middletown High School South staging of The Producers).
The Red Bank Regional production of Arthur Miller’s ‘The Crucible’ has garnered seven nominations in the Basie Awards for excellence in local high school theater, as the 12th annual ceremony rolls out the red carpet tonight.
In a pop-culture landscape that’s littered with the sharp metal edges of way too many awards and honors, you could make the case that this is the only trophyfest that matters — the kind that recognizes, nurtures and inspires the next generation of acting, singing, dancing and technical talent.
When the 12th annual Basie Awards ceremony takes the famous stage of the Count Basie Theatre tonight, May 24, students and faculty from nearly 20 public, private and parochial high schools in Monmouth County — seven of them located here within the Greater Red Bank Green — will be vying for a chance to deliver their acceptance speech, in a field that, in the words of Basie education director Yvonne Lamb Scudiery, continues “to set the bar higher and higher, resulting in outstanding professional quality work…and certainly making the job or our evaluation team a very difficult yet gratifying one.”
Although it’s a brand-spanking-new addition to the growing crop of world premieres from Red Bank’s own Two River Theater Company, the upcoming production The Ballad of Little Jo represents the culmination of a years-long process, through which the borough-based stage troupe nurtured and developed the highly anticipated musical adaptation that closes out its 2016-’17 season in grand style.
The interlude between the end of April and beginning of May signals the traditional rising up of a real Red Bank institution — Phoenix Productions, the borough-based theatrical company that for more than two decades has presented its musical entertainments on the boards of one of the region’s most legendary stages: the Count Basie Theatre.
This Saturday sees the curtain go up on the first of the 2017 offerings from the Phoenix fun factory — and, it as they did with last year’s season-opening production of The Little Mermaid, the troupe will be delving into the Disney Broadway playbook for a fresh and family-friendly staging of the romantic fantasy perennial, Beauty and the Beast.
Beginning with a 1 p.m. performance Wednesday, seven opportunities remain for the general public to catch The Women of Padilla, the latest in an ever-growing portfolio of plays that have made their world premiere on the Red Bank stage of Two River Theater.
Written by Tony Meneses (whose previously produced project here was Guadalupe in the Guest Room), the drama is an ensemble piece that reflects an ongoing commitment by the theater company to develop and promote new works by Latino creators. It’s also a succinct and slightly surreal piece with an underlying universal quality — a glimpse at the home front in a time of seemingly eternal war, as well as the ways in which we find family, build community, and latch onto gossamer wings of hope whenever something important goes missing from our lives.
As part of its 2017 Summer Theater Camp, Red Bank’s Two River Theater will offer its first classes for students with autism ages 10-17, plus a special “sensory-friendly” performance of the play ‘The Way Back Home’ on June 10.
Press release from Two River Theater Company
Two River Theater, under the leadership of Artistic Director John Dias and Managing Director Michael Hurst, has announced two new initiatives designed to support young people on the autism spectrum, and welcome them to the theater.
But West Street residents pressed for, and failed to obtain, changes to aspects of the plan that they worry will direct more traffic onto their block, some of it from motorists using the theater lot simply to avoid street traffic.
The upstairs “Studio 99” rehearsal facility at the Count Basie Theatre is the venue for the Dunbar Repertory production of BUTTERFLY CONFESSIONS, going up this Friday for the first show of a two-weekend stand.
Seasoned explorers of Red Bank’s cultural scene know that the second story often plays host to a whole other story — for proof, take it upstairs to any of the art opening events at Salon Concrete or McKay Imaging — or dig if you will such special events as tomorrow night’s Red Bank Blooms fashion show upside Teak.
When it’s not bumper-to-bumper busy booking some of the biggest names in show business on its storied stage, the Count Basie Theatre can be found hosting activities that can extend from the street-level Carlton Lounge and back-scenes patio, to the “Studio 99” rehearsal rooms on the landmark building’s second floor. It’s there that one of the area’s best-kept-secret theatrical companies has found a home for many of its projects — and there that Dunbar Repertory Company will present the play Butterfly Confessions for a two-weekend engagement that begins this Friday, April 21.
Previews for ‘The Women of Padilla’ start this weekend at the Two River Theater. Below, playwright Tony Meneses.(Click to enlarge.)
In a 2015 redbankgreen interview, Tony Meneses confessed he “had a sense from the start that I was never gonna make money as a playwright, that it had to mean something more to me than that.”
The Guadalajara-born, Brooklyn-based dramatist was speaking about Guadalupe in the Guest Room, a comedy-drama with a personal slant that made its fully staged world premiere at Red Bank’s Two River Theater.
It was a time when the Garden State Parkway had miles to go until completion, and Neil Simon had yet to pen his first play. Way back in 1953 — well before the arrival of professional playhouses to the sleepy bedroom communities of Monmouth County — a fledgling theatrical company by the name of Monmouth Players chose as its first fully staged production Blithe Spirit, a ghostly farce by a then very-much-alive Noël Coward.
Over the years — some 63 of them, in fact — the Middletown-based players have made numerous return trips to Sir Noël’s well, not just for encores of Spirit but for Present Laughter (staged as recently as 2015) and, beginning this Saturday, a fresh look at the vitriolic valentine known as Private Lives.
Michael Cumpsty, Brandon Dirden and Ruben Santiago-Hudson (pictured at an August 2016 event promoting the Two River Theater production of MA RAINEY’S BLACK BOTTOM) are among the returning artists who are scheduled to contribute to the upcoming 2017-18 season at the Bridge Avenue arts center.
It’s a season highlighted by a bevy of returning talents, both on the stage and behind the scenes. A season that boasts an enhanced slate of offerings for young theatergoers; more outreach to the area’s growing Spanish-speaking audience, some never-before-seen works, and several fresh perspectives on familiar stories — including two by a certain Wilde man of English letters, as well as one even Wilder.
When Two River Theater Company raised the curtain on its upcoming 2017-2018 schedule of productions on Sunday night, it did so via a genuine “rite of spring” tradition at the Bridge Avenue artspace, as TRTC’s celebrated artistic director John Dias and a panel of guests heralded the company’s 24th season with a “debt of gratitude” to founders Robert and Joan Rechnitz (“the two most glorious people I know”), a tip of the hat to the faithful supporters (“we know you care about this as much as we do”), and a brief channeling of Sally Field (“you actually like us!”).
Left to right: Luke Pearlberg (Poet), Corey Van Huff (Wazir), Ford Zacks (Caliph), Danielle Wolf (Marsinah) and in front, Ricci Bigelow (Lalume) star in KISMET, the spring musical production running March 23-26 at Red Bank Regional.
Press release from Red Bank Regional High School
Set in ancient-times Arabia, the musical Kismet takes place where magic may or may not be real, and true love is found in the power of poetry. From the streets to the palaces of Bagdad in A.D. 1071, the story of four interwoven lives coming together to sing, dance and celebrate the mystery of “fate” is the essence of the musical that comes to the stage of Red Bank Regional High School beginning Thursday, March 23, as the spring theatrical from the school’s celebrated performing arts program.
The new structure would be built between a six-unit apartment building, at left, and Juanito’s Market, at right, with all three properties sharing parking in back. (Photo by John T. Ward. Click to enlarge)
The Red Bank zoning board approved the creation of a new laundromat and four apartments on a vacant Shrewsbury Avenue lot Thursday night.
But before the project can get underway, grocer and restaurateur Juan Torres will have to reduce a possible tab for water and sewer hookups that could total $562,000.
Zuzanna Szadowski, Jason O’Connell and Nicole Lewis are the whole company in the Two River Theater staging of Shakespeare’s ‘The Merry Wives of Windsor,’ playing through March 26. (Photos by T. Charles Erickson. Click to enlarge.)
Whether it was an amateur outing in a gnat-infested public park or a top-ticket import from London’s West End, veteran observers of William Shakespeare’s works have by now gotten used to seeing the great dramatist’s plays twisted, teased and teleported into all manner of settings — more than a few of which might have made him flip his folio.
From Romeo and Juliet in modern Miami and Hamlet on Wall Street to a World War II Richard III and a Tempest on a planet named Altair IV, it seems as if there’s no place in space or time from which the Bard is barred — and at Red Bank’s Two River Theater, where last year we saw Pericles re-imagined as the world’s most epic saloon story, the comedy The Merry Wives of Windsor continues for two more weeks, during its long-term stay at the sort of roadside motel that would normally specialize in hourly rates.